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Directed by Hans Richter; cinematography by Arnold Eagle; narrated by Edgar Lang; music by John Gruen, Robert Abramson, Hans Richter, Douglas Townsend; lyrics by John Latouche; sound direction by H. (Calder 1966, 51) 9 June: Serving on the It was early one morning on a calm sea, off Guatemala, when over my couch—a coil of rope—I saw the beginning of a fiery red sunrise on one side and the moon looking like a silver coin on the other.

Directed by Robert Gardner; cinematography by Michael Butler, Robert Gardner, Len Gittleman, William Smock, John Spock, and Henry Stone; music by Jay Jaroslav; sound by Stuart Cody and Barry Ferguson. Calder stays with the architect Walter Bliss and his wife to graduate from Lowell High School. Produced and directed by Hans Richter, assisted by Miriam Reaburn; cinematography by Arnold Eagle; music by Louis Applebaum. Sponsored by New World Films and Motion Picture Stages. (Calder 1966, 53–55; CF, Patterson to ASCR, 26 April 2010) Mid-June: Arriving in San Francisco, Calder takes a lumber schooner to Willapa Harbor, Washington, where he catches the bus for Aberdeen and meets his sister Peggy and her husband, Kenneth Hayes. Directed and cinematography by Herbert Matter; produced and narrated by Burgess Meredith; music by John Cage. Of the whole trip this impressed me most of all; it left me with a lasting sensation of the solar system. (CF, Calder 1955–56, 39; Calder 1966, 57–58) Spring: With the help of Stirling's introduction, Calder seeks employment with an engineer in Canada. Barr, Jr., Nancy Newhall, George Amberg, Iris Barry, Elizabeth Mock, Serge Chermayeff, Rene D'Harnoncourt, Monroe Wheeler, Elodie Courter, and Victor D'Amico. Sponsored by Peggy Guggenheim's Art of This Century, New York. Calder finds a job as a timekeeper for a logging camp in Independence, Washington. (Calder 1966, 55–56) Summer: Inspired by the logging camp landscape, Calder writes home and asks his mother for paints and brushes.Paper costumes for A Nightmare Side Show, one of thirteen group processions performed during Paper Ball: Le Cirque des Chiffonniers, First Hartford Festival, Wadsworth Atheneum, Hartford, Connecticut, 15 February 1936 Standing, left to right: André Masson, Kay Sage, and Calder; sitting, left to right: André Breton, Susanna Perkins Hare, Louisa Calder, Rose Masson, Diego Masson, Charlie Prescott, Mary Calder, and Teeny Matisse, Roxbury, 1941 Alexander Calder Scrapbook, 1924–26. (Calder 1966, 59) October–December: Calder begins classes at the Art Students League of New York, studying life and pictorial composition with John Sloan and portrait painting with George Luks.

The unbound book includes seven folios and eight loose clippings, two newspapers, and one poster: black-and-white and color; 16 1/8" x 12 1/4". (Calder 1966, 59–61, 66–67; ASL, registration records) January–April: Calder enrolls again at the Art Students League, taking classes in portrait painting with George Luks, head and figure with Guy Pène du Bois, a drawing class with Boardman Robinson, and an etching class.

Barcelona: Fundació Joan Miró–Centre d'Estudis d'Art Contemporani, 1975. Museum at Large and the Whitney Museum of American Art, New York. Directed and produced by Paul Falkenberg and Hans Namuth; narration by Louisa Calder, Tom Armstrong, and John Russell. Calder's parents move to a ranch in Oracle, Arizona, leaving Calder and his sister Peggy in the care of Dr. Calder befriends Riley, an elderly man recuperating at the ranch who shows him "how to make a wigwam out of burlap bags pinned together with nails." (Calder 1966, 16) Fall: The Calders move to Pasadena, California.

Portfolio of lithographs by Calder, Chillida, Guinovart, Miró, Ràfols-Casamada, Tàpies, Vedova, Viladecans. So I sent them another dollar and told them, “Look again.” They corroborated the first statement., in Philadelphia. (Calder 1966, 13) Spring: Stirling Calder contracts tuberculosis. (Calder 1966, 15; Hayes 1977, 18) End of March: Nanette picks up Calder and Peggy and they rejoin their father in Oracle.

Mother and father were all for my efforts to build things myself—they approved of the homemade . (Calder 1966, 21) 1 January: Calder attends Pasadena's Tournament of Roses, where he experiences the four-horse chariot races.

At that time, on Euclid Avenue in Pasadena, I got my first tools and was given the cellar with its window as a workshop. My workshop became some sort of a center of attention; everybody came in.

(Calder 1966, 28–29) December: For Christmas, Calder presents his parents with a dog and a duck that he trimmed from a brass sheet and bent into formation.